Headunit shopping... recommendations?
pre-amp output voltage, in the real world, amounts to little more than the marketing hype you were complaining about above. as long as the amp gain is set to properly accommodate the pre-amp voltage, and the combination allows for the amp to reach it's maximum output, it's largely irrelevant what the input voltage and gain are actually set to.
I'm not quite sure what you mean by "same level" in:
I am with you that MP3s are a lossy compression, and have less "data" to work with to reproduce "music." But in the case of the Alpine IDA headunits anyway, you have a bit-perfect stream of 1s and 0s feeding the HU's D/A converter.
And Claus, regarding:
the whole nature of Lossless compression is that after conversion you get back the exact same original data. It's the principle behind computer software "compression" such as ZIP. It wouldn't work out to well if when expanded you only got an "approximation" of the program you purchased. You need bit-perfect data for the program to run properly. Same for music. MP3s are an approximation. Lossless is the exact same data as the original.
I'm not quite sure what you mean by "same level" in:
Ahh, but the IPod isn't capable of playing that signal back at the same level as the CD, so it'd be pointless to have a HU that is capable of it.
And Claus, regarding:
Bit by Bit is one thing, the fact that I haven't heard a perfectly reproduced compressed music is another.
Originally Posted by philbert,Mar 4 2009, 03:54 PM
pre-amp output voltage, in the real world, amounts to little more than the marketing hype you were complaining about above. as long as the amp gain is set to properly accommodate the pre-amp voltage, and the combination allows for the amp to reach it's maximum output, it's largely irrelevant what the input voltage and gain are actually set to.
I'm not quite sure what you mean by "same level" in:
I am with you that MP3s are a lossy compression, and have less "data" to work with to reproduce "music." But in the case of the Alpine IDA headunits anyway, you have a bit-perfect stream of 1s and 0s feeding the HU's D/A converter.
And Claus, regarding:
the whole nature of Lossless compression is that after conversion you get back the exact same original data. It's the principle behind computer software "compression" such as ZIP. It wouldn't work out to well if when expanded you only got an "approximation" of the program you purchased. You need bit-perfect data for the program to run properly. Same for music. MP3s are an approximation. Lossless is the exact same data as the original.
I'm not quite sure what you mean by "same level" in:
I am with you that MP3s are a lossy compression, and have less "data" to work with to reproduce "music." But in the case of the Alpine IDA headunits anyway, you have a bit-perfect stream of 1s and 0s feeding the HU's D/A converter.
And Claus, regarding:
the whole nature of Lossless compression is that after conversion you get back the exact same original data. It's the principle behind computer software "compression" such as ZIP. It wouldn't work out to well if when expanded you only got an "approximation" of the program you purchased. You need bit-perfect data for the program to run properly. Same for music. MP3s are an approximation. Lossless is the exact same data as the original.
Yes, noise goes up as signal level goes down. The issue is whether this "difference" is actually meaningful.
I'm pretty sure that you're mistaken in saying the Eclipse's preout is 8V across the entire volume range. Every headunit controls volume through a variable voltage output. The stated voltage by the manufacturers is the maximum voltage the preamp stage of the headunit reaches at the full volume. The vast majority of the time, you're at a very small fraction of that.
I'm pretty sure that you're mistaken in saying the Eclipse's preout is 8V across the entire volume range. Every headunit controls volume through a variable voltage output. The stated voltage by the manufacturers is the maximum voltage the preamp stage of the headunit reaches at the full volume. The vast majority of the time, you're at a very small fraction of that.
Originally Posted by Neutered Sputniks,Mar 4 2009, 11:12 AM
I disagree. When the sound is ear-bleedingly harsh, you WILL hear the difference, even in the S.
Besides. Alpine's "5V pre-outs" don't actually come close to putting out 5V max, much less across the entire volume range (this is how it adjust volume to the amps, by lowering the voltage of the pre-out).
Eclipse has 8V pre-outs. And that's true 8V pre-outs that actually put out 8V across the entire volume range.
How much does that matter? Well, when looking at amplifier output, a higher voltage in results in higher output, greater power stability, as well as increase sound quality.
But, who cares to hear all that when you can be an Alpine Fan Boi instead
Besides. Alpine's "5V pre-outs" don't actually come close to putting out 5V max, much less across the entire volume range (this is how it adjust volume to the amps, by lowering the voltage of the pre-out).
Eclipse has 8V pre-outs. And that's true 8V pre-outs that actually put out 8V across the entire volume range.
How much does that matter? Well, when looking at amplifier output, a higher voltage in results in higher output, greater power stability, as well as increase sound quality.
But, who cares to hear all that when you can be an Alpine Fan Boi instead

Originally Posted by philbert,Mar 4 2009, 03:03 PM
Yes, noise goes up as signal level goes down. The issue is whether this "difference" is actually meaningful.
I'm pretty sure that you're mistaken in saying the Eclipse's preout is 8V across the entire volume range. Every headunit controls volume through a variable voltage output. The stated voltage by the manufacturers is the maximum voltage the preamp stage of the headunit reaches at the full volume. The vast majority of the time, you're at a very small fraction of that.
I'm pretty sure that you're mistaken in saying the Eclipse's preout is 8V across the entire volume range. Every headunit controls volume through a variable voltage output. The stated voltage by the manufacturers is the maximum voltage the preamp stage of the headunit reaches at the full volume. The vast majority of the time, you're at a very small fraction of that.
Originally Posted by philbert,Mar 4 2009, 11:54 AM
And Claus, regarding:
the whole nature of Lossless compression is that after conversion you get back the exact same original data. It's the principle behind computer software "compression" such as ZIP. It wouldn't work out to well if when expanded you only got an "approximation" of the program you purchased. You need bit-perfect data for the program to run properly. Same for music. MP3s are an approximation. Lossless is the exact same data as the original.
the whole nature of Lossless compression is that after conversion you get back the exact same original data. It's the principle behind computer software "compression" such as ZIP. It wouldn't work out to well if when expanded you only got an "approximation" of the program you purchased. You need bit-perfect data for the program to run properly. Same for music. MP3s are an approximation. Lossless is the exact same data as the original.
Stereophile is a great source for for info, but not all the time. They've been accused of doing favors for some companies in a few occasions.
JVC El Kameleon KD-AVX44... check out the original thread... you won't regret getting this esp w/ the modifry dci. good luck w/ the shoppin'...


